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Saturday, July 31, 2010
Friday, July 30, 2010
Thursday, July 29, 2010
Wednesday, July 28, 2010
Tuesday, July 27, 2010
MVP- Most Voluptous Player, San Antonio Spurs' GEORGE HILL
George Jesse Hill, Jr. (born May 4, 1986) is an American professional basketball player for the San Antonio Spurs of the NBA. While playing forIndiana University-Purdue University Indianapolis (IUPUI) he received many honors, including Summit League 'Player of the Year' and was an 'Honorable Mention All-American' his junior season. He was selected 26th overall by the San Antonio Spurs in the 2008 NBA Draft.
Saturday, July 24, 2010
TRAVIS BARKER is a BEAST on the DRUMS!!
Travis Landon Barker (born November 14, 1975) is a musician, producer, and the drummer for the band Blink-182, as well as The Transplants. He was a frequent collaborator with DJ AM before his death, and together they formed TRV$DJAM.
After the split of his first band, Feeble, Barker began playing for The Aquabats in 1996 as The Baron Von Tito. He recorded one album with them, The Fury of the Aquabats!, in 1997. His career took off when he joined up with pop punk band, Blink-182 in 1998. Barker became known for his mohawk and his tendency to perform shirtless, revealing a multitude of tattoos. Barker has since established himself as a versatile drummer, producing and making guest appearances in music projects of numerous music genres including hip-hop, alternative rock,pop and country. He has gained significant acceptance within the hip-hop community in particular and often collaborates with artists to compose rock-tinged remixes to their songs.[1]
He founded clothing company Famous Stars and Straps in 1999 and LaSalle Records in 2004. Companies such as DC Shoes and Zildjian cymbals have co-designed products in his name.
In 1998, Barker began touring with The Aquabats, and under the stage name "The Baron Von Tito". Blink-182 was also on the bill, and when then-drummer Scott Raynor was removed from the band, Barker was asked to fill in. This required him to learn the entire set (over 20 songs) in less than two hours and perform them at that night's show, in addition to playing a set with The Aquabats. His efforts earned him an offer to join Blink-182, which Barker accepted.
In an interview with TMZ, regarding a reunion, Barker states "We're all friends" and "Everyone's getting along pretty good."[2]
At the 51st Grammy Awards, while announcing the award for Rock Album of The Year, Blink-182 announced they were getting back together. This was the first step towards Blink's current status.
Barker and Blink-182 have finished a 50 date North American tour in 2009. 2010 will see a European tour and a one-off USA show before heading back in the studio. They played shows including Hartford, D.C., Madison Square Garden, and Boston. During the tour Blink played with bands like Weezer, Fall Out Boy, Motion City Soundtrack, Asher Roth, The All American Rejects, and Taking Back Sunday.
[edit]Side Projects/Collaborations (2002-Present)
Barker said he has always been interested in many genres of music outside rock, especially hip hop. In a 2002 interview with MTV he said, "I probably listen to more hip-hop and drum'n'bass than I do rock music.".[3] Not being able to explore these interests within Blink-182, Barker participated in two hip hop related side projects during that the time: Transplants and Expensive Taste.
Box Car Racer is a side project begun with Tom DeLonge of Blink-182 in 2002. This project resulted in one self-titled album which was released that year. DeLonge said he asked Barker to play drums so that he wouldn't have to find and pay a session drummer to come in.
Transplants is a hip hop-induced punk band for which Barker partnered with Tim Armstrong of Rancid and Rob Aston (former roadie for Rancid). Transplants released two studio records as well as a remixed version of their second album which was chopped and screwed by rapper and hip-hop artist, Paul Wall.[4] The first album released by Transplants was their self-titled album in 2002. The second Transplants record, Haunted Cities, was released by LaSalle Records in June 2005. After the Vans Warped Tour of 2005, the members decided to disband. This was confirmed by vocalist Rob Aston in January 2006 during an interview.[citation needed] In January 2010, Barker announced that the Transplants would reform for new material.[5]
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He was best friends with the late DJ AM, Adam Goldstein.
Barker has produced or worked on albums with the Black Eyed Peas, Pink and Pharrell. He appears on Bun B's album, Trill (2005) with Skinhead Rob for the bonus track, "Late Night Creepin'". In 2006 he was a producer on T.I.'s fourth album, King. Also in 2006 he played drums for several songs on Avril Lavigne's third album, "The Best Damn Thing".[6] He also dueted with Rihanna on a remix of her hit "Umbrella", he also appeared in her video. Barker also had a remix with the Rap artist Eminem, on the song 3 A.M.
In late 2005 Barker started a new band, +44, with fellow Blink-182 member Mark Hoppus. +44 only released one studio album, When Your Heart Stops Beating. They played several tour dates with Fall Out Boy, Taking Back Sunday, and Cobra Starship.
In 2006, he and Rob Aston joined Paul Wall in forming a new hip hop group called Expensive Taste.
Barker made a very well received remix of Soulja Boy's "Crank That". In a similar fashion to the Soulja Boy remix, he has also remixed Flo Rida's single "Low" that was later included within the deluxe version of Flo Rida's debut album. Barker is a playable character in Guitar Hero: World Tourand his remix of "Low" is available as downloadable content. Barker is also featured on The Game's latest album, L.A.X., drumming on the song "Dope Boys".
He was the drummer for all of the performers at the MTV Video Music Awards of 2008, including Kid Cudi and LL Cool J.
In August 2009, Matt Sorum revealed that Barker will appear on Slash, Slash's upcoming solo album.[7]
In June 2009, he played drums in the BET Awards for Jamie Foxx's performance of "Blame It".
In November 2009, Barker made a remix with hip-hop artist Drake's song "Forever", featuring Eminem, Lil Wayne and Kanye West.
In January 2010, Barker announced a new TRVS BRKR remix of Snoop Dogg's new single, "I Wanna Rock", via his Twitter account.
In February 2010, Steve Vai mentioned in his newsletter and website that now he's working on a version of "Stairway to Heaven" for Mary J. Blige with Travis Barker on drums, Orianthi on guitar, andRandy Jackson on bass. The song appears on the UK version of Blige's album Stronger with Each Tear.
On February 17, 2010, it was announced that Travis Barker will work with A-Trak for club shows such as he did with DJ AM. The first shows will take place on March 9 and 10 at The Roxy in West Hollywood.[8][dated info] It is yet to be announced whether the two will release a mix tape.
On February 2, 2010, Lil Wayne's rock debut album Rebirth was released. It features a track entitled "One Way Trip" which is featuring Kevin Rudolf that shows the friendship between Travis and Lil Wayne, with one of the lyrics being "... And T. Barker is my muthafuckin' drummer..."
On April 22, 2010, Barker performed "Stairway to Heaven" by Led Zeppelin on American Idol along with Mary J. Blige, Orianthi, Steve Vai and Randy Jackson.
On May 1, 2010, Barker and rapper T.I. both confirmed they will be collaborating on a track on the rapper's upcoming album entitled King Uncaged.
On July 9, 2010, the blink-182 drummer announced on his Twitter account that he would be dropping his new remix of rapper Waka Flocka's "Hard in The Paint". The track later, was made available for streaming on music site RapRadar.
Friday, July 23, 2010
Thursday, July 22, 2010
Wednesday, July 21, 2010
The shame of right-wing "journalism"
The shame of right-wing "journalism"
Andrew Breitbart and Tucker Carlson distort facts to smear liberals, and it works. What liberals should learn Video
Andrew Breitbart and Tucker Carlson
Today a big Breitbart "scoop" blew up in his angry face, when it was shown that the Big Journalism proprietor selectively edited a clip of an African-American USDA official seeming to admit she treated a white farmer poorly out of her own racial bias. It turns out that Shirley Sherrod was actually telling the story to show how the issue of race often obscures the issue of class, and the fact that poor black farmers and poor white farmers had a lot in common (eventually, she helped and became close to the white farmer and his family) — but Breitbart left all of that out of the video (just as he selectively and unfairly edited his cartoonish ACORN tapes).
Unbelievably, Agriculture Secretary Tom Vilsack fired Sherrod based on Breitbart's creative editing, which left out Sherrod's real point (and in fact, accused her of making the opposite point) and also made it seem as though she was talking about something she did while working for the USDA, when the experience in question took place 24 years ago, when she worked for a nonprofit. If Vilsack doesn't hire Sherrod back, I will personally contribute to her legal fund.
Sorry, that's a long but important digression before addressing the story at hand: Carlson's similar dishonesty, in selectively releasing e-mails from the now-notorious Journolist for a story breathlessly headlined: "Documents show media plotting to kill stories about Rev. Jeremiah Wright." Alex Pareene got the basics right, in a War Room post: "Journolist Scandal: Liberals Planned Open Letter."
That's really all that happened. Or try this, if you want a little more detail: A handful of liberal opinion writers for openly liberal publications used the so-called Journolist to draft an open letter to ABC News, complaining about its moderation of an April 2008 debate between Hillary Clinton and Barack Obama (questions about Wright were only one issue raised in the open letter, which ran in the Nation, but I'll go back to that). Later on that same list, the Daily Caller "reveals," after Wright ran amok at the National Press Club and an NAACP event (and Obama had to denounce him), some of the same liberals argued that liberal media outlets should ignore the controversy and attack conservatives who raised it. Other liberals disagreed with them. End of story.
Or it should be, except the fact-challenged Sarah Palin has picked up her bullhorn to blast the Caller's "scoop" on Twitter: "Media Bias? What Media Bias? BOMBSHELL!" and to claim that it validated her complaints about the "lamestream media" on Facebook. (So far, she hasn't asked any specific media outlet to refudiate the story.) I anticipate coverage from big MSM outlets any minute now, given that the Washington Post's Andy Alexander and the New York Times' Bill Keller are already on record flagellating their news organizations for ignoring earlier right-wing scalp-taking stories about ACORN, Van Jones and New Black Panther Party.
Andy, Bill, other possibly cowed-by-the-right mainstream journalists? Save your resources for real stories, and let me break down the Caller scoop for you.
1) Although the Caller claims that "employees of news organizations including Time, Politico, the Huffington Post, the Baltimore Sun, the Guardian, Salon and the New Republic participated in outpourings of anger over how Obama had been treated in the media, and in some cases plotted to fix the damage" (emphasis mine), it only quotes a handful of people, and none of them are employed at anything other than liberal publications. (Thomas Schaller, credited with the idea for the open letter, is an author, a University of Maryland professor and an Op-Ed writer at the Baltimore Sun who periodically contributes to Salon, and more recently, 538.com.) The two people who come off as the most combative Obama zealots are Chris Hayes, who works at the Nation, and Spencer Ackerman, employed by the Washington Independent, both progressive publications. I assume if there had been any evidence that a mainstream media news reporter had colluded in the Journolist "plot" to defend Obama, he or she would have been outed immediately by the Caller. My sources say there weren't any.
2) In fact, the Journolist should have been named "the liberal economists, academics, foundation execs, PR folks, think tankers, pundits and other pals of Ezra Klein" list (the American Prospect blogger, now Washington Post blogger, convened Journolist). Although I was never on the list (more about that later) by all accounts of it I've heard, liberal opinion makers from the worlds of think tanks, academia and progressive punditry outnumbered mainstream media news reporters by dozens to one.
3) The Caller also falsely claims that later, when Wright showed himself to be not merely a guy who made some nasty anti-America and anti-white people comments, but a kook and a narcissist, and Obama denounced him, the Journolist plotted to "kill stories" about it and also to malign conservatives like Fred Barnes and Karl Rove who were trying to make Wright an issue as "racists" — and no one challenged those ideas, except on tactical grounds. In fact, if you read the story, you'll see that several people are quoted strongly disagreeing with the feverish suggestions of Hayes and Ackerman, on grounds that were moral and factual, not merely tactical. Hayes himself told the Caller, correctly: "I can say ‘hey I don’t think you guys should cover this,’ but no one listened to me."
4) Beyond the bounds of the Journolist, the Caller strives mightily to make the case that there was a generalized liberal media conspiracy to ignore the Wright issue — but I can tell you from personal experience, there was none. Just check the archives of Salon. It's true that there were a lot of Obama supporters who tried to argue the Wright story was less important than Obama's stance on Iraq and other issues. There were plenty of us who thought it was our job to pay attention to the Wright mess. (Read Joe Conason's take, here.) I raised questions about the anti-ABC letter at the time it was published. There was, and is, no party line among progressives.
Despite the hysterical headline, the Caller story has nothing to tell us about the "media." It does, however, have a little bit to remind us about the American progressive movement in 2008. I'd argue it might give the left some important rearview-mirror insight. I admit it: Reading the Caller story, and the way some individuals revered Obama, brought back a little bit of my PTSD as someone who defended Hillary Clinton from progressive attacks and questioned the reflexive anointing of Obama as the candidate of the left. The same
Chris Hayes who the Caller says "castigated his fellow liberals for criticizing Wright" ("All this hand wringing about just how awful and odious Rev. Wright remarks are just keeps the hustle going. Our country disappears people. It tortures people. It has the blood of as many as one million Iraqi civilians — men, women, children, the infirmed — on its hands. You’ll forgive me if I just can’t quite dredge up the requisite amount of outrage over Barack Obama’s pastor,” Hayes wrote) now regularly castigates the predictably centrist Obama, including last night on MSNBC's "Countdown."
The Obama-worship of progressives like Hayes and many others on the Journolist, as commemorated by the Caller, set them up for a big fall, so that now they're often unrealistically critical of the president (I now get attacked for defending Obama too much. Let me also say: I like Hayes, and he's not the worst offender here.) It also contributed to Obama and his team feeling confident that they can neglect, even occasionally kick, his progressive base with impunity. Unfortunately, they never had to fight for it.
And while I don't think anyone on the Journolist directly took Hayes' or Ackerman's suggestion that they call people who raised the Wright issue "racist" — that happened all on its own — the way many on the left used the "racist" slur during the 2008 campaign was a mistake. As someone who confessed to being disturbed by Wright's worldview as it unfolded like a slow-motion train wreck in the spring of 2008, I was called "racist" so often the word lost its sting. I honestly believe that the wanton use of that terrible term to defend Obama is part of why today, when there is genuine racism against the president from the right and within the Tea Party, it's sometimes hard to get anyone to pay attention.
Ultimately, discussing racism brings us back to Andrew Breitbart's lies about Shirley Sherrod. It's a disgraceful story with no heroes — except Sherrod and the white farmers who came forward to support her, Roger and Eloise Spooner. Caught off-guard by the right-wing frenzy over its resolution asking Tea Partiers to condemn the racists in their midst, the NAACP overreacted, took Breitbart's word about Sherrod, and denounced her. (Ben Jealous has now, rightly, apologized.) Tom Vilsack fired her. The White House insists it didn't tell Vilsack to let Sherrod go — but it won't tell him to take her back, either.
So to wrap up: Idiotic and false charges of "racism" ultimately backfire to hurt a black woman and, perhaps, our black president, who really can't win here: If Obama is seen to be intervening to help a black woman get her job back, race baiters will have a field day (how fast will Rush Limbaugh say he responded to Sherrod's plight faster than the Gulf's). If he doesn't, he won't sleep well tonight. Watch this interview with the Spooners, below, and tell me who's the racist (hint: It's Andrew Breitbart).
Shirley Sherrod is right: A lot of people are spending a lot of energy to get folks like the Spooners and Sherrod to think they should be enemies, when the real issue is class. The left should remember that lesson, because the right is invested in making sure no one learns it.
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